| Book Title | No Enchanted Palace. The End of Empire and the Ideological Origins of the United Nations |
| Book Author | Mark Mazower |
| Bibliographic Information | Princeton University Press, 2009, Pages : 232 pp., $24.95, ISBN 9780691135212 |
| Review Title | |
| Reviewer(s) | Klabbers, Jan |
Mark Mazower. No Enchanted Palace: The End of Empire and
the Ideological Origins of the United Nations.
Jan Klabbers,
International lawyers
have long held international organizations in high esteem. Paul Reinsch,
arguably the first author to write comprehensively on the law of international
organizations about a century ago and largely responsible for laying the
foundations for the functionalist approach to international organizations,
already welcomed them as working for the common global good. The sentiment
culminated in Nagendra Singh’s classic statement that organizations serve the
‘salvation of mankind’. States were
considered bad; organizations, by contrast, were considered inherently good.
This picture has met
with some revision over the last decade or two. Anecdotal evidence emerging
during the 1980s suggested that organizations can be highly dysfunctional; the
breakdown of the International Tin Council suggested that organizations can
create financial difficulties, and NATO’s bombing of
Many international
lawyers have adhered to the thought that the
In four chapters, he
addresses the role of ideas coming from four distinct angles. First, there is
the universe of the South African statesman Jan Smuts, architect of apartheid,
influential drafter of the League Covenant and drafter of the UN Charter’s preamble.
Second, Mazower dissects some of the writings of Sir Alfred Zimmern, one of the
first theorists of the novel discipline of international relations who had also
been influential in the creation of the League. Third, he goes into the work of
Jewish refugees in the
While Mazower’s
underlying claim is persuasive enough, it is not always easy to see how the
four chapters connect. The role of Smuts is incontrovertible: Smuts was heavily
involved in the creation of both the League and the UN, and felt strongly that
the global organizations should be seen as embodying western, white people’s,
values. Global organization was conceived, by Smuts, as a
Zimmern too promoted
British values, but in a different way. Building on ancient
Mazower’s chapter on
Lemkin and other Jewish refugees concentrates on minority protection. While
this was arranged for in the League of Nations Covenant, it would not be
replicated in the UN Charter; indeed, instead of supporting hard rights for
minorities and individuals, the UN only settled for the watered down version of
relying on world public opinion instead of legal rules. For Lemkin, then, such
instruments as the Universal Declaration on Human Rights represented not
progress, but rather a retrograde step.
And to make things worse, the liberal embrace of a right to
self-determination stimulated nationalism rather than anything else. In
Mazower’s own explosive words: “what the Revisionists and Nazis had called for
in the 1930s, the Allies now promoted – ethnic homogeneity as a desirable
feature of national self-determination and international stability.” (at 143).
Mazower devotes his
final chapter to Nehru, statesman of Indian independence. What set the UN apart
from the egalitarian
It would seem then, that
Smuts and Zimmern embody the continuation of politics as usual, with Lemkin and
other refugees cast in a legalist role and Nehru as the founding father of the
postcolonial UN. One may wonder, of course, whether this does complete justice
to all individuals concerned, or where this leaves other individuals, possibly
hailing from other states. In that sense, the book’s main characters retain a
bit of a cardboard character: the book’s slender format does not allow for a
full and nuanced intellectual picture of the main protagonists, and neither
does it add up to an exhaustive or comprehensive history of the making of the
UN.
Still, the main quality
of Mazower’s book is that it offers a very welcome corrective on the
traditional narrative, which tends to highlight the role of the